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Combined Mystery School 201

With new web publishing tools come new publishing rules. Some of my blogs are right epics which the new tools refused to publish so I had to cut the original Combined mystery school blog posting in half as the web publishing tool update started bitching about how long it is.


For your reference CMS 101 is the first part and CMS 201 is the second part of what was one long blog, due to date of the second being published, they may not appear in the proper order on the blog posting. I will work on fixing that in the meantime you may have to search for 201 if you have read 101...


This then is the second part (201) care of cut and paste.....


The two Mystery Schools and the forty eight chromosomal images

The symbol used for the Akhenaten mystery School, the Law of One was the right eye of Horus. The right eye is controlled by the left brain which is the male side.


The left eye was controlled by the right brain, the female side.


The female side was taught in the 12 primary temples along the Nile river and the thirteenth temple was the great Pyramid itself.

Initiates spent one year in each temple learning the female side and just one year getting taught only once about the male side.


This was not written down anywhere.


It was all taught through oral traditions, though the primary components are etched on a single wall under the great Pyramid that leads into the Hall of Records.

As you walk down that hall, you get almost to the bottom and just before it makes a 90 degree turn, high on the wall you see the flower of life image on the wall that is about four feet in diameter.


Beside it there are 47 other images, one after the other which are the images of the Chromosomes of Christ consciousness, the level we are moving into right now.


In a later blog we hope to publish the images from a third book that depicts this information.


The great Pyramid’s primary function is to take someone from our level of consciousness into the next level.


It had several secondary functions as well, but this was its primary function.


That is to say that ascension and resurrection are the absolute purpose it exists.


Generating the power the various tools used for the task came with the whole enchilada of the Pyramids by the way.


They also generate energy, but not the kind of conventional energy you think of as modern humans of the current era. Instead think frequency generators and acoustics resonators.


The reason it took 12 years to learn the feminine components of consciousness is because that side of things is well, very, very complicated....


The Creation Story - Genesis


Let's start with a recall of the realization that the Christian and Egyptian understanding of reality is almost identical and that the Christian understanding was derived from the Egyptian one.


A complete copy job chaps!!


The first three sentences of Genesis state “In the beginning, God created the heaven and the earth and the earth was without form and void; and darkness was upon the face of the deep, and the spirit of God moved upon the face of the waters and God said, ‘Let there be light’, and there was light......


The Egyptians also believed that the Earth was without form until it came out of the Void, out of nothing.


Well, not exactly nothing, one thing was there in the beginning and it was water, as all the old texts and stones state.


Both Christians and Egyptians believed the start of creation was nothing and spirit and bringing these two together was the point at which creation began to begin, so to speak.


The Genesis was sparked by the movement of spirit over the waters and both Egyptians and Christians held this belief.

The Egyptians have long complained that the Christian Bible left out an important statement in the first sentence and that sentence began with “In the beginning there were six.” Some of the 900 versions of the Bible actually do have this correct sentence in them.


The ancient Egyptians also complain that the Christian version of Genesis is impossible especially if you think about it from a physics point of view.


A dark infinite space that goes on forever with nothing in it would not afford movement because there was nothing you could move to, relative to nothing.


Kinetic energy in a void is impossible until there is at least one object in space around you and so before God could move on the face of the waters he had to make something to move relative to.


The fact there were waters is also interesting.


The Earth itself is a very young planet that was not here 500 million years ago.


Earth was created out of the destruction of Tiamat which was a water-world class planet.


Imagine you are in a dark room, standing near the door to a second room and you are ready to go into the second room which is very, very dark.


You can barely see the door leading into this room. You go into this room and close the door behind you.


Everywhere you look it is pitch black.


When in this situation you have the ability to emit a sensing beam from your third eye chakra or any chakra in fact but particularly from that one.


You can also sense from your hands by the way and they both reach out about a foot or two and you can just know if there is something or nothing in that space a foot or two out.

Your consciousness goes out this distance and then stops dead and your knowingness ability quits the scene and you are lost at sea so to speak not knowing what is out there beyond the two feet.


The Egyptians were particularly gifted at doing this sort of thing in a dark room and could sense things in it, the same way many blind people can.


We actually have six of these sensing rays within us not just one and they all come from the pineal gland in our heads following the six axes that follow the X, Y and Z axes of Geometry we all love...


The Egyptians believed it was this innate aspect of consciousness that allowed creation to begin.


In order to understand the process of creation, Egyptian students of that age were taught to imagine and enact a process to learn it. It could have been taught in many other ways but this is how they learnt it.


Spirit, represented by the single eye, shoots a beam of consciousness out into the Void. It shoots this beam first to the front, then the back, then the left, then the right and then straight up and straight down.

The distances projected in all these beams is all the exact same. The Consciousness beam projects the same distance in all six directions for any one individual.


We all have different abilities at this projection, it may vary from one millimeter to two feet and beyond, but the distances are the same in all directions.


This defines space in terms of North, South, East, West, Up and Down, left and right etc.


Many American Indians and other native people across the earth have so many ceremonies that define these geometric concepts and the Kabbalah is rich in these as well via the meditations they do.


In the Mystery schools the next step after defining these six directions is to connect the end of these projections, which forms a diamond base or a square around the point of their consciousness.


Then from the point in the center of the square they send a beam up to the top, forming a pyramid around the base of the square.


You build this by projecting a Pyramid above and then a Pyramid below.


Octahedron around Spirit


Remember this is all just spirit, you do not have a body in the great Void.


So now you are in the great Void and you have created this field around you and once you have mapped out the space etc you have an object.


Kinetic energy or movement is now possible.


Movement was not possible before but now it is.


Spirit can move outside the shape or move around it and it can go in any direction for miles and still come back to a center for everything.


Spirit can also remain stationary in the center of the shape and let the shape move instead of spirit moving.


The shape can now move, rotate, wobble etc in all possible ways so relative movement is now possible.


The Octahedron the students created this way had three axes - front to back, left to right and up and down.

They were next told to spin the shape around one of the axes, it did not matter which one, just one of them and in any direction they liked.


They would then spin the shape around the other axes one by one.


With just one spin around each of the three axes they traced the parameters around a perfect sphere.


Before the students were allowed to move their own point of consciousness, they were taught to spin this octahedral form and create a sphere around themselves.

It has been agreed by sacred geometry students that a straight line is male and a curved line is female.


Thus it is that triangles and shapes with straight lines are male forms and circles or spheres are female forms.


Since the octahedron that spirit made up is straight lines it is a male shape and since the sphere is made of only curved lines it is the female shape.


So the Egyptians went from a male form and converted it to a female form. From male to female in other words.


The Bible relates the same concepts where Adam was created first and out of Adam's rib came the female. The image of spirit inside the sphere was also the image of the mystery school.

Sacred geometry started when spirit made its first projection into the Void and created the first octahedron around itself.


The Void is infinite - nothing in it - and these forms being created are also nothing. They are all just imaginary lines created out of consciousness.


This gives you a clue as to what reality is - nothing. The Hindus call reality maya, which means illusion. Most apt actually.

Spirit can sit in the middle of its first creation for a long time but it will eventually decide to do something.


To re-create this process, Mystery school students were given instructions to reenact the same motions that spirit took.


Two simple instructions are all that is required to create and complete everything in the entire universe.


I want you all to keep in mind that the lines/beams of consciousness, the octahedron, and the sphere are imaginary.


The Void that Spirit is in is nothing, and so are the forms it creates.


The lines are just imaginary forms being created out of consciousness. So, this means that Reality itself is nothing.


Back to Spirit’s two options: remain the way it is and sit there for all eternity, or do something. Spirit now has a reference point, since it is sitting in the sphere. So, Spirit moves to what is newly created. Spirit moves to anywhere on the surface of the newly created sphere.

Back to Genesis comparisons: “And the spirit of God moved upon the face of the waters.” See how that relates?


The sequence that follows is commonly referred to as the Genesis pattern, for these reasons and more.


The next thing in Genesis is “God said, ‘Let there be light’, and there was light.” Keep this in mind.


Once Spirit gets to the surface, it creates a new octahedron, spins it through the three axes, and creates a sphere identical to the first one.


Now something spectacular has happened - Spirit  has formed a vesica piscis at the intersection of the two spheres!


The vesica piscis can be found many places inside and outside of us, but the most popular locations are 1) the appearance of our eyes behind our eyelids, and 2) the lens inside our eyes. Remember when I provided that second quote about God making light?

The vesica piscis is light by the way.


It’s the geometric image through which light was created and through which our eyes are created (and how our eyes see light).


The vesica piscis is the basic geometry of the electromagnetic field. You can see it from three different views as shown.


Spirit projects another sphere, so now there are 3 spheres. Below you can see the relationship the 3 spheres make, which is the basic geometry of the star tetrahedron (the shape of the energy fields around our bodies).

Here’s another Bible reference. Spirit’s first motion is the first day: it produced the vesica piscis, which is light. On the second motion/day, it made the basic geometry of the star tetrahedron. Let’s keep going.


Now, the only thing Spirit can do is move to the innermost point on the circle and project another sphere.


This is what Spirit always does from this point on. It moves around the equator of the original sphere, it does it again.


It keeps doing this until it makes a fourth sphere, and this 4th sphere happens on the third metaphorical “day”.


Spirit repeats creating a fifth sphere, and now it is the fourth “day” of Genesis.


Many Bibles cite the fourth day to be when exactly one half of creation was completed.


Remember that.


Spirit makes a sixth sphere on the fifth day of Genesis. Finally, on the sixth day, something major happens: the seventh sphere forms the image below, which completes the half that we had on day four.


Those who are familiar with sacred geometry know that this pattern is called the Seed of Life.

Many earlier Bibles said that “In the beginning there were six.”


The Seed of Life, this six-petaled flower, demonstrates that.


This is the Genesis pattern.


It is the basic foundation of all matter. It is “the living map of the creation of all Reality.”


When we rotate the Genesis pattern, or the Seed of Life, around its central axis, we create a tube torus.


The torus is the only shape that is able to fold in on itself turning either inward or outward.


It is also the first shape that comes out of the Seed of Life.


Those familiar with sacred geometry know what “ratcheting” is.


When you take a circle or line and ratchet it, you rotate it a certain distance.


If you have two Seed of Life patterns superimposed on each other, one pattern is fixed, and you rotate the other one 30 degrees, you’d get 12 spheres around the central one.


Three-dimensionally, it looks like a tube torus. 


If you connect all the lines in the middle, you get this effect shown above.


This image has a transcendental pattern associated with it. A transcendental number is a very important number that comes from another dimension.


An example is the phi ratio, which is a mathematical proportion that starts as 1.6180339 and continues infinitely.

The torus has a seven-color map, where there are seven identical regions that will fit exactly in the tube torus with no remainder.


Our hearts have seven muscles that form a torus, and it pumps in the seven regions of the map of the torus. This shape is around all life forms, atoms, and cosmic bodies (planets, stars, galaxies, etc).


Some believe that language and sound and ‘the word’ (“In the beginning was the Word”) will be revealed within the torus.


Time will tell, but for now we can all agree that it is a very powerful shape.

The above diagram shows the sevenfold labyrinth found all over the world in many ancient ruins and fields on every single continent.


Many church floors in Europe have this labyrinth on them and many caves and stone walls bear these symbols.


There are also seven regions in it just like a torus has and they all relate to a beating heart and its seven regions.


When you walk through a labyrinth by the way, you walk through different states of consciousness giving you a very specific experience and it causes the life force energies to flow through your chakras: in a specific sequence: 3, 2 , 1, 4, 7, 6 and then 5.

The energy starts in the third chakra, then goes to the second, then the first.

Then it jumps to the heart (4th), then to the pineal gland in the center of the head (7th), then to the pituitary gland at the front of the head (6th) and then to the throat (5th).


When you walk a labyrinth, unless you block the experience, you will automatically move through these changes.


Even if you don’t know about these things, you will go through these experiences regardless.


This labyrinth and chakra experience makes an upside down cup like the Holy Grail and relates to its secret knowledge.

Regardless, the labyrinth experience is interesting.


Note the image of the Biblical Melchizedek below where he is depicted holding a bowl with the key to the labyrinth inside the bowl.

The dark innermost circles in the following images show the six days of Genesis. Once the consciousness projects the first seven spheres and completes the Genesis pattern, it then continues in a rotational pattern from each consecutive innermost place until it completes its second vortex motion as seen by the light outermost circles.


That motion in turn completes a three dimensional shape you can hold in your hand and is what spirit would have seen if it had moved outside its pattern of spheres and looked at it.

The next vortex is the third rotation. The spheres of this vortex centered at the innermost places in the perimeter of the previous round as shown by the six arrows in the next image.


They call this cluster of spheres the egg of life and it is the morphogenetic structure that created your body.

Everything about you was created through the egg of life form, right down to the color of your eyes and the shape of your genitals et al.


There are nineteen circles in the flower of life and they are surrounded by two concentric circles.


This image is found all over the world spanning all existences of man and other ancient civilizations that called the Earth home through the ages.


Notice there are many incomplete circles in the flower of life pattern. If you complete these circles, the secret of this pattern will unfold.


You will observe 13 circles and you can extract this pattern from them...the pattern below is what they refer to as the fruit of life because it is the fruit (result) from which the fabric of the details of the reality were created.


All the circles in this pattern are female, as they are spheres right?


There are thirteen ways using these thirteen circles that you can superimpose male energy, that is straight lines.


If you superimpose straight lines all over this in thirteen ways you will come up with thirteen patterns that will when combined with the egg of life and the torus create everything that is in existence without exception.


Now, there happen to be thirteen information systems associated with the fruit of life pattern. Each system produces a vast and very diverse amount of knowledge.


We do not have enough space on my blog site to go into these in depth, so I am going to discuss a few of them instead of all of them.

The simplest system comes forth by simply connecting the circles with straight line and connecting all the centers which produces a pattern which is known throughout the Universe as Metatron’s cube.


This is one of the most important information systems in the universe and is one of the basic creation patterns of existence.


Anyone who has studied Geometry or scared Geometry knows there are five unique shapes and they are crucial to understanding both Sacred and regular Geometry.

A platonic solid has certain characteristics by definition.


First off, the faces are all the same size as seen in a cube with a square on every face.


Second, the edges of a Platonic solid are all the same length, as all edges of a cube have the same length.


Third, it has only one size of interior angle between faces, in the case of the cube this is 90 degrees.

Fourth, if a platonic solid is put inside a sphere of the right size, all of its points will touch the sphere.


The other two platonic solids are a bit more complicated.


The one is called an icosahedron and has twenty faces.


The other is called a pentagonal dodecahedron whose faces are twelve pentagons with the same edge length and angle, with all points touching the sphere.


If you are an engineer or architect you will have touched on these as these form the base of most structures of strength.


Any book that you pick up to study sacred geometry with will have the five platonic solids in its pages because these are the ABC’s of sacred geometry.


The interesting question to ask once you have read all the books on the subject is where do these platonic solids come from?


Nobody knows the source of this information.


However, the platonic solids come from the information system in the fruit of life.


Hidden inside of the cube you can find all of these shapes. Metatron’s cube actually contains all of this information within it.


You can in fact pull all of these shapes from this cube and the cube contains two of each one within it.


So all of these three dimensional solids are from the fruit of the tree of life information system called Metatron's cube.


In alchemy, they usually talk only about fire, earth, air and water; they seldom discuss ether or prana because it’s so sacred.


In the Pythagorean school, if you even uttered the word "dodecahedron" outside the school, they would kill you on the spot.


That was how sacred the shape was.


They wouldn’t even discuss it. Two hundred years later when Plato was alive, he would discuss it, but only very carefully.

Why was that?


It is because the dodecahedron is near the outer edge in your energy field and is the highest form of consciousness.


When you get to the 55-foot limit of your energy field, it’s a sphere, the very next shape inside the sphere is the dodecahedron (actually, the dodecahedron/icosahedral relationship).


In addition, we live in a big dodecahedron that contains the universe.


When your mind reaches out to the end of space — and there is an end — there’s a dodecahedron enclosed in a sphere.


I can say this because the human body is a hologram of the universe and contains the same principles.


The twelve constellations of the zodiac fit inside it.


The dodecahedron is the terminating point of the geometries, and it’s very important.


On a microscopic level, the dodecahedron and the icosahedron are the relational parameters of the DNA, the blueprint of all life.

I know of people who studied these systems hard and spent a period of twenty years looking for the dodecahedron from within Metatron’s cube system and failed.


This was because they did not have all of the lines. Some of them were missing completely.


Once added back in it was relatively easy.


It took a junior student to point out that some of the lines were missing and so a twenty year study with the belief all the parts were present was a premise that wasted twenty years of intense study by this group.


Always check the basic facts when a puzzle like this eludes you!! It can be surprising what assumptions are proven a basic problem later on.


Falling bodies in a vacuum is another great example of science messing with someone’s mind at the basic level.


It was long assumed that bodies falling in a vacuum would fall at the same rate, until someone noticed a body that was spinning on its axis actually fell faster than one that which was not spinning!!


One day there will be a scientific day of reckoning to go back to basics.


One of the reasons why we don't see all of reality is we make far too many basic assumptions of the totally wrong kind that were fed to us by indoctrination and brainwashing from birth care of your local church or some crazy assed belief system specifically designed to lead you astray and quell your curiosity.


Any religion or belief system that makes finding out stuff punishable in any way is a false religion. A total sham fraud job in other words.


Anyhew, back to the sacred geometry stuff...


Semi Crystal and Nanotechnology

A technology that has been making astounding impacts over the last 25 years in particular is impacting us in a pretty dramatic manner right now.


It is helping to make computers faster, metallurgists are making exotic metals hundreds of times harder than diamonds and lighter than foam with some very interesting properties that will potentially make planes, rockets and spaceships etc. indestructible.


We are now spraying circuits a single atom thick onto stuff called graphene and rolling up circuit boards and computer screens like paper scrolls.


This stuff all came about when scientific geeks started looking at x-ray diffraction images to see where atoms were in various materials and structures.


They noticed that specific patterns kept coming up and that there were only certain kinds of atomic structures.


At first they thought this was all that there was to learn about the structures because that was all they could find and it limited their ability to make metals.


About the same time this stuff was stalled, a game started to appear in Scientific American that was based on Penrose Patterns.

Roger Penrose was a UK based mathematician and relativist searching for ways to lay pentagram shaped tiles on a flat surface.


As you cannot lay just the pentagram shape on a flat surface, he came up with two diamond shapes that are derivatives of a pentagram shape and he found he was able to lay plenty of different patterns to fit on a flat surfaces a result.


Some of the metallurgical guys playing this game started to realize that there was something new in physics that this was potentially leading to.


They ultimately discovered a new kind of atomic grid pattern. It was always there, they merely rediscovered it.


They called these grid patterns quasi-crystals and it led to NASA making a metal in space that is 500 times stronger than titanium, as light as foam and it is also as clear as glass!!


Right now a whole bunch of scientific research companies with ties to NASA are unravelling what shapes and patterns are possible through metals and they are using this knowledge to make new products with very specific properties and characteristics.

This is also affecting chemists engaged in Polymer engineering as they take all the bad traits of various materials and liquids and custom engineer replacements to bear all the good properties they want and none of the bad ones.


Quantum computer research being done at UC Santa Barbara in California by some talented Nobel Laureates as well as future laureates and is having some fantasmic outcomes.


All of this information is golden mean related and comes from the information system presented by Metatron's cube. All of it.


Using one Pentagon and one Penrose pattern is driving most of this work by the way and as I mentioned what is happening now with this new science is very interesting indeed.


If you study sacred geometry long enough and with some of the so called dark arts masters, who just so happen to have the best collection of writings on sacred geometry and some twisted use cases for the ancient arts, you will discover that sacred geometry can reveal information about anything and everything that exists in our Universe.


This is not partial information either, it is total and complete.


What the dark arts practitioners lose sight of is that knowledge is just knowledge.


The real wisdom comes from experience of using the knowledge.


For most of us though, the reminder of sacred geometry arts is that each of us has the potential of a living Mer-Ka-Ba field around our bodies and to be taught how to use it properly.

The human lightbody which is our own personal Mer-Ka-Ba is the focus of the sacred geometry arts you should study as a starting point in these arts. This is the path I want to lay down for you to follow.


We believe that you can study any subject merely by focusing on the geometries behind it. All you need is a compass and a ruler.


No computer required, although that does help. We all have the required knowledge within us, we just need to unfold it....


Once you learn the map of how spirit moves through the void you can learn about anything and unravel the mystery of everything.


Ever seen those compass and ruler symbols in freemasonry? It is no accident that the master architect, good old King Solomon has these symbols steeped all over those masonic dark arts and their “secret” documentation.


For me, masonic rites cross over to the dark side when those practicing them use them for the wrong purpose and keep the knowledge secret from the masses.


To me, the “Wisdom” of Solomon has been lost on these practitioners in a major manner.


I am sure Solomon himself would have been utterly appalled at the twisted take modern masonic arts offer their “brotherhood” and the manner they have gone about their business.

They also keep women out of the club, which is very funny considering most ascended masters are in fact women.


Modern masons are about the coveting of power to the select chosen few and walking all over the rest of humanity to achieve their hidden agendas and goals.


They do not have your or my best interests at heart since they lost the true meaning of their art.


The modern masons mantra is pretty simple, it goes like this “It’s all about US, US, US, US, US, US, and US”, this is great if you happen to be one.


Now don’t get me wrong, various Lodges do some pretty awesome work in the community here and there, but the serious imperial wizards at the highest echelons beyond the thirty somethingth degree have appalling agendas and most nefarious intent in mind.


The list of US presidents who were not masons is rather short, I believe only one name is on it, though I am learning that he was in fact of the brotherhood as well.


No surprises there really.


Mainstream Media seems to think only a third of US presidents were masons.


What this means is that there is only direct evidence that 15 of them were freemasons.


This is unusual, seeing as every one of them is familiar with the masonic handshake and have displayed some very masonic behaviors.

You guys do know that there are secret lodges right?


The first woman who becomes President will in fact not be a Mason.....That I can assure you of.


She will probably have strong ties to Rosicrucian temples or Pylons and have an interesting wooden wand and broomstick hidden somewhere. (humor).


Sigh, I digress...


The field of nanotechnology and microscopic machines that can re-arrange atoms is also becoming quite the thing in some circles. Making 3 foot perfect diamonds out of graphite is where this material science and nanotechnology merge to produce absolute wonders that will impact our experience of life.

Let us look at the ancient art of Alchemy, which most thought was just fantasy from sci-fi novels and witchcraft arts.


I do believe these came about because some ancient guru knew the secrets behind these arts and could literally turn water into wine and lead into gold using his knowledge of sacred geometry.


These ancient alchemists considered the platonic solids as elements.


For example the tetrahedron was considered to be fire, the cube was the earth, the octahedron was the air, water was the icosahedron and the ether was a dodecahedron.


Re ether, note that prana and tachyon energy = ether and they are accessible at any point in space-time and dimension.


This is the secret to zero point technology.


The sphere is the void and these six elements are the building blocks of the universe and they create all of the qualities of the universe.


This universe has a base wavelength of 7.23 cm, the sound of Om.


This wavelength is also the exact average distance between our human eyes and you will find mathematical correlations to 7.23 in our bodies and in many things in nature in this universe as it is embedded in everything in this universe.


So in this third dimension reality, this wavelength is 7.23 cm. As you go up in dimensional levels the wavelength gets shorter and as you go down it gets longer.


Think of the musical scale for a minute in relation to a piano. Note there are spaces between the notes so that you can recognize that when you hit one note, that there is a space where the next note is. In this waveform universe we exist in, there are very definite spaces where the next dimensional level exists, and it is at a specific wavelength relative to this one we are in.


Most cultures in the cosmos understand this basic understanding of the universe, and they know how to move between dimensions but we have somehow forgotten it all as a result of the Atlantis event.


Hopefully we will remember it again.


A long time ago our musical and physics masters discovered that there are major spaces between the notes called overtones. Between each step of the chromatic scale there are 12 major overtones and there are 200 minor overtones between each note.

If we show each note in the chromatic scale as a circle, we have thirteen circles.


Each circle represents a white or black key and the shaded circle at the end represents the thirteenth note that begins the next octave.


The black circle in this illustration represents the third dimension, our known universe, and the fourth circle, the fourth dimension.


The twelve major overtones between any two notes, or dimensions, are a replica of the larger pattern.


It’s holographic.......


If you carry it further, between each overtone you’ll find another twelve overtones that replicate the whole pattern. It goes down and up literally forever. This is called a geometrical progression, only in harmonics.


If you continue to study it, you’ll find that each of the unique musical scales that has been discovered produces a different octave of experience — more universes to explore!


You’ve probably heard people talk about the 144 dimensions and how the number 144 relates to other spiritual subjects. This is because there are twelve notes in an octave and twelve overtones between each note, and 12x12 = 144 dimensional levels between each octave. To be specific, there are 12 major dimensions and 132 minor dimensions within each octave (though in truth, the progression goes on forever). This diagram represents one octave. The thirteenth note repeats, then there’s another octave above that one.


There’s an octave of universes below this and an octave above, and it stretches on theoretically forever.


So as big and as infinite as this universe seems, which is just an illusion anyway, there are still an infinite number of other ways to express the one Reality, and each dimension is experientially completely different from any other.


That’s what much of this teaching is about — reminding us that we here on Earth are sitting in the third dimension on a planet that is in the process right now of becoming fourth-dimensional and beyond.


The third-dimensional component of this planet is about to be nonexistent for us after a while — we’re going to be aware of this dimension for only a short time longer.


First we’ll go into certain overtones of the fourth dimension. Most people in the higher dimensions who are watching and helping with this process now believe that we’re going to keep moving on up through higher dimensions quite rapidly.


I am one of them.


The Wall between Octaves


Between each whole-note universe and between each subspace, or overtone, universe, there is nothing — no thing, absolutely zip.


Each of these spaces is called a void.


The void between each dimension is called the duat by Egyptians or the bardo by Tibetans.


Each time you pass from one dimension or overtone into the next, you pass through a void or blackness that’s in between.


However, certain voids are "blacker" than others, and the blackest of these exist between the octaves.


They’re more powerful than the voids that exist within an octave. Understand these are words that cannot fully explain this concept. This void that exists between octaves can be called the Great Void or the Wall. It’s like a wall you have to pass through to get to a higher octave. Spirit put these voids there in a particular way for certain reasons that will soon become apparent.


All of these dimensions are superimposed over each other, and every point in space-time contains them all. The doorway to any of them is anywhere. That makes it convenient — you don’t have to go looking for it, you just have to know how to access it.


Changing Dimensions


Going back to those guys on the temple ceiling in Egypt , they’re changing dimensions.


They’re making a 90-degree turn and changing their wavelength.


And those wheels, as you’re going to see later, are connected to the harmonics of music — and you now know that the harmonics of music are connected to the dimensional levels.


Since the people on the ceiling are making this change while thinking about metamorphosis and resurrection,


I believe these wheels are actually telling us exactly where they went, into which dimension.


By the time this is articulated you may understand what I’m talking about.


This 90 degrees is a very important part of understanding these teachings.


The 90-degree turn is crucial to understanding how to make resurrection or ascension real.


The dimensional levels are separated by 90 degrees, musical notes are separated by 90 degrees, and the chakras are separated by 90 degrees — 90 degrees keeps coming up over and over again. In fact, in order for us to enter into the fourth dimension (or any dimension, for that matter), we must make a 90-degree turn.


Probably at this point I need to make sure we have a common understanding about what dimensions are — like third dimension, fourth dimension, fifth dimension and so forth. What am I talking about?


I’m not talking about dimensions in a normal mathematical sense, as in the three axes or so-called dimensions of space: the X, Y and Z axes — front to back, left to right and up and down. Some people call these three axes the third dimension and say that time becomes the fourth dimension.


This is not what I’m talking about.


What I see as the various dimensional levels has to do more with music and harmonics than anything else.


There are probably different connotations of what I’m talking about too, though most people who study this pretty much agree. A piano has eight white keys from C to C, which is the familiar octave, and in between those are the five black keys.


The eight white keys and the five black keys produce all the sharps and flats in what’s called the chromatic scale, which is thirteen notes (actually twelve notes with the thirteenth beginning the next octave). So from one C to the next is really thirteen steps, not just eight.


Keeping that in mind, I want to show you the concept of a sine wave. Sine waves correspond to light (and the electromagnetic spectrum) and the vibration of sound. The image shows some samples. We’re all probably familiar with this.


In the entire Reality we’re in, every single thing is based on sine waves. There are no exceptions I know of except the Void itself and perhaps spirit.


Everything in this Reality is sine wave, or cosine, if you want to look at it like that.

What makes one thing different from another is wavelength and pattern.


A wavelength extends from any point on the curve to the point where the entire curve starts over, as from A to B on the longer wavelength, or from C to D on the shorter wavelengths.


If you get into a really long wavelength, they look almost like straight lines.

For example, your brain waves are about ten to the tenth power centimeters, and they’re almost like straight lines coming out of your head.


Quantum physics or quantum mechanics looks at everything in the Reality in one of two ways.


They don’t know why they can’t look at it in both ways at once, though the geometries tell why if you study them very carefully.


You can consider any object, such as this web page, as being made up of tiny particles like atoms.


Or you can forget that idea and just look at it as a vibration, a waveform, such as electromagnetic fields or even sound, if you like. If you look at it as atoms, the laws can be seen to fit that model: if you look at waveforms it can be seen to fit that model.

Everything in our world is a waveform (sometimes called pattern, or sine wave signature) or can even be seen as sound.


All things — your bodies, planets, absolutely everything — are waveforms. If you choose this particular way of looking at Reality and superimpose that view over the reality of the harmonics of music (an aspect of sound), we can begin to talk about different dimensions.


This is why I mentioned that wavelength determines dimension.


This ceiling shows a set of eight of these circles or wheels. On the right, at the bottom are seven neters (gods) with animal heads and each has an orange-red oval above his head. This refers to resurrection.


As they walk along the line, the line comes to an abrupt end and there is a 90 degree shift upward and they are walking perpendicular to their first direction of travel...


The Star Tetrahedron


The star tetrahedron with Leonardo’s image behind it in the below image is going to become one of the most important drawings for this blog. What you’re looking at is two-dimensional, but think of it in three dimensions.


A star tetrahedron, just as shown here, happens to exist around each human body. We’re going to spend a great deal of time to get you to the point where you can see that you do have this image around your body.


Notice especially that there’s a tube running down the center of the body through which we can breathe life force energy, and the two apexes at the top and bottom of this tube connect the third dimension to the fourth dimension.


You can inhale fourth-dimensional prana directly through the tube. You could be in a vacuum, a total void, with no air to breathe, and completely survive if you could live the principles of this understanding.


As Richard Hoagland has shown the United Nations and NASA, we are now beginning to scientifically rediscover this field.


Just as it is shown around Leonardo, it is also around planets, suns and even larger bodies.


This could become the standard explanation of how some of these outer planets survive.


Why? The planets are radiating off the surface far more energy than they’re receiving from the Sun, a lot more. Where is this coming from?


With this new understanding, if Leonardo were a planet instead of a person, the points at the north and south poles would be bringing in huge amounts of energy from another dimension (or dimensions).


Planets literally exist in more than one dimension, and if you could see the whole Earth in all its glory — the various fields and energies around a planet — you’d be astounded. Mother Earth is far more intricate and complex than we at this dense level can perceive.


This channeling of energy is actually how it works for people too. And the particular dimension (or dimensions) that this energy comes from depends on how we breathe.


On Leonardo’s drawing, the tetrahedron pointing up to the Sun is male. The one pointing down toward the Earth is female.

We’re going to call the male one a Sun tetrahedron and the female one an Earth tetrahedron.


There are only two symmetrical ways that a human being can look out of this star-tetrahedral form with one point of the star above the head and one point below the feet and with the alignment of the human body looking toward the horizon: For a male body looking out of his form, his Sun tetrahedron has a point facing forward, and the opposite flat face is behind him; his Earth tetrahedron has a point facing out the back, and the opposite flat face is in front.


For a female body looking out of her form, her Sun tetrahedron has a flat face forward, and a point facing out the back, and her Earth tetrahedron has a point facing forward and the opposite flat face is behind her.


We’ll explain the Mer-Ka-Ba meditation through the fourteenth breath in a later blog. First I would like to introduce other aspects so that you can begin to remember and prepare yourself for the eventual reactivation of your lightbody, the Mer-Ka-Ba.


Shortly, we’ll start talking about yogic breathing, which probably many of you are already familiar with.


Then we’ll learn about mudras after that. We’re going to keep going step by step until we are ready to experience spherical breathing, the state of being from which your Mer-Ka-Ba can come to life.

To understand the situation here on Earth, we will offer another piece of information to refer to as we proceed.


In nature, the law of opposites appears to be manifesting throughout our reality, such as male and female or hot and cold.


In truth, this is incomplete.